FALA The Natural Fabric Index

Section

Weaves

The same fibre, a different interlacing – a different fabric. We draw every weave exactly as a weaver sees it: warp vertical, weft horizontal.

2/2 twill: interlacing diagram of the warp (vertical threads) and weft (horizontal threads)

For each weave you will find two pictures. The larger one shows how the threads lie in the fabric: the dark vertical threads are the warp, the light horizontal ones the weft. The smaller grid is the weave draft – a weaver’s shorthand in which a filled square means “warp on top”. Colour is not the only distinguishing mark: the warp is always vertical and the weft always horizontal.

Plain weave: interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Plain weave

tabby

The foundation of all weaves: the thread goes alternately over and under. The tightest interlacing, a matt surface. In cotton it gives percale, poplin and batiste; almost all ancient Egyptian linen is in this weave.

Plain weave: interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Percale

plain weave, dense

A dense plain weave from fine combed yarn, typical of bed linen. Crisp, matt and cool.

Percale or sateen? Full article

Satin weave (sateen) 4/1: interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Sateen

4/1 satin weave

The thread floats over four threads and under one; the interlacing points are scattered. Smooth, lustrous and fluid, but less resistant to abrasion.

Percale or sateen? Full article

2/2 twill: interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Twill

2/2 twill

The interlacing points move along by one thread in every row, creating a diagonal ladder. At the same thread density, twill is softer and drapes better than plain weave, and hides stains better. Gabardine and flannel belong here.

3/1 twill: interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

3/1 warp-faced twill

denim twill

The warp dominates the face. Most denim is woven in this weave: blue warp on top, undyed weft on the back.

Damask (jacquard pattern): interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Jacquard and damask

jacquard

A jacquard mechanism lifts each warp thread individually, so the weave can change point by point to form a pattern. Damask alternates warp-faced and weft-faced satin – the pattern shows only through the direction of the sheen. Irish and Flemish linen damask has a long tradition.

Basket weave (hopsack): interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Basket weave

2/2 hopsack

A plain weave in which threads work together in pairs. Softer and looser than plain weave; typical of Oxford cloth and some linen fabrics.

Plain weave: interlacing diagram of the warp (vertical threads) and weft (horizontal threads) Weave draft: a filled square means warp on top, an empty one weft on top

Muslin

plain weave, open

A light, loosely woven cotton in plain weave. Breathable and soft; in bed linen it is used mainly in multi-layer (gauze) versions.